Boogie-woogie piano is a style of music that is extremely rhythmical and focuses on dance. It was first developed in the late 1800's in rural African American communities in the Southern United States. Boogie-woogie piano is played by the...
Part 1 of 4:
Getting Started

Listen to the masters. Music is a language, and like learning any language, you need to listen to its native speakers. Start by listening to some of the old masters to get an idea of their rhythms, phrasing, timing, and styles. Here are some good people to start with: Clarence "Pinetop" Smith, Cripple Clarence Lofton, Jabo Williams, Montana Taylor, Jimmy Yancey, Hersal Thomas, Albert Ammons, Meade Lux Lewis, Pete Johnson, Big Maceo Merriweather, Otis Spann, Amos Milburn, Professor Longhair and James Booker. Download their music and listen a little bit to them every day to start getting the true sounds of boogie-woogie in your ears!
Part 2 of 4:
Learning the Left Hand

Learn at least one left hand bass pattern. The left hand is the most important feature of boogie-woogie piano playing and without a steady bass pattern there is no hope of playing true boogie-woogie. Most left hand patterns are '8-to-the-bar', meaning there are eight eighth-notes played in every bar. Learn at least one left hand bass pattern and be able to play it automatically and independently of the right hand.

Part 3 of 4:
Learning the Right Hand

Learn a right hand lick. In boogie-woogie piano playing, when the right hand is not playing chords to accompany vocals or another soloist, it usually plays licks. According to Arthur Migliazza's book 'How To Play Boogie Woogie Piano," there are only 8 primary licks, from which infinite variations and combinations are possible. Lick #1 is the most basic, and consists of keeping the right hand in the basic position of a C major triad.


Learn some variations of your first lick. Learn some variations of the lick so that you have more material to work with in your song.
Practice the lick and variations while playing the left hand bass pattern. The next step is to introduce your right hand licks to your left hand boogie-woogie bass pattern. Practice in C, F and G separately. [Note: you can transpose these licks to F and G, or just play them in C while the left hand changes! It still works!]

When you are comfortable playing the licks in all three keys, put them in the context of a 12-bar blues.
Part 4 of 4:
Putting it Together with an Introduction and Ending


Learn an ending. The simplest way to end a boogie-woogie is by playing this figure with the left hand by itself.
Combine a repeating, rhythmic bass pattern in the left hand with chords and licks in the right hand. Use an intro to start and an ending to finish and now you're playing boogie woogie!

Update 24 March 2020
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